Archive

Posts Tagged ‘defence’

Pushing Hands

The Tai-chi exercise of Push Hands teaches you to let other people into your “space”. While the goal is to push your partner off balance, you also have your hands and arms connected and you move towards his center of balance to push.

This creates an emotional tension. You don’t want your partner getting into your space to push you, yet you want to move into his space to push him. The unique Tai-chi resolution to this tension shows the genius of Tai-chi’s creators and also explains many of our society’s modern problems.

Some push hands players will tighten up and spend most of their energy keeping you out. They are not really paying attention to you (your balance, movements and state of attention) but just to their own mental strategies. When they push, the movement of the push is disconnected from the flow of movements that came before. This reflects their internal state, that of the thinking mind ordering the body around but keeping the body at “arms length” from their own thinking mind. It is similar to the politics of isolating people according to their differences and setting them against each other.

The Tai-chi approach to push hands is to consider the partner’s actions and your responses as one single unit. You allow the partner to make the decisions of movement and you stay connected with them, but offering little resistance. Whatever position they put you into, you are happy to be in that position, but you concentrate on being properly aligned and centered in that position. Part of that alignment is that you are in a good position to push the partner off balance. You use his movements to set up your body in proper alignment, rather than trying to take control and force his body to move according to your will.

The forceful, disconnected approach gives you the feeling you are strong and in control. But if you are partnering with a good push hands player, your own feeling of strength and control always leads you to being in a weak position. The good push hands player fills the spaces within your power, preventing you from functioning. Yet he does this lightly.

When two good push hands players are partnered, each tries to bring the forces within his own body. When his partner pushes, he absorbs the force, distributes that force among all his joints and into his root to empower his own response. In this way, the forcefulness of the partner is experienced as “raw material” you can use to add to your own power and return the combination back to your partner.

Push hands then becomes an attempt to connect to, and transform forces rather than to build barriers to those forces. You become part of the flow of forces rather than a blockage to that flow.

We are living in an increasingly “external” culture, in which we see each other as isolated physical objects battling against each other. We see the natural world around us as a store, providing products on its shelves, rather than as a living system that we are part of.

When I practice push hands with most people and softly merge into their “space”, they harden up and resist, desperately trying to maintain their isolation and to them, Push Hands is a game of maintaining your isolation and feeling physically strong (tight).

If the two partners can both merge, then Push Hands becomes a game of integration balanced with the attempt to push. It is a balance of merging and being an individual, a skill needed in any kind of relationship. Push Hands used to teach people that skill, but in a world of increasing isolation, this game too often reflects its host culture.

If we can embody that skill in our everyday lives, then we can begin to heal the rift between the body and mind, allowing them to merge, which brings us internal peace.

Remember the “Principles of Tai-chi Forms with Applications to Push Hands” workshop on Sunday April 17th 2016. Call (631) 744-5999 for more information. At the Tai-chi-Chuan School in Sound Beach, Long Island, N. Y.

FIGHTING YOUR SHADOW

Tai-chi-Chuan Sparring #3

Tai-chi-Chuan Sparring #1

Tai-chi-Chuan Sparring #2

Tai-chi-Chuan is a strange mix of health exercises, meditation and fighting. While most people practice Tai-chi strictly for health and exercise, the “Chuan” in the name reminds you that it is a martial art. Yet there is no blocking and the movements are relaxed and fluid.

The basic principle of Tai-chi-Chuan is to shadow your opponent. Where he strikes, you move away from his strike but into an unprotected area of his body. Where he moves away, you follow him so that you are like wet clothes he is trying to get off. You exhaust him and undermine his power.

You don’t allow him one second to recover from his series of strikes. We train to sustain our attention so that we don’t need that second to evaluate the effect of our actions. We act and perceive at the same time so that at every moment we can change and adapt. If our strike is blocked, the arm just circles around and still comes in. Since the power doesn’t come from the arm, but from the whole body, the strike still has power. We remain calm and centered throughout the sparring due to our training in forms, chi-gung and push hands.

This training of sustaining the attention, adapting at every moment, being aware of the effects of our actions as they happen and the ability to remain calm and centered in the midst of being attacked, helps us in our everyday lives. It teaches us that we can’t control the actions of others or the circumstances of the world we live in, but we can control how we react to all that.

The principle is that we let the attacker move as he wants to. We don’t interfere with his actions. But we control the relationship between us. If he wants to strike our head, we move our head and go to a spot he is not protecting with our own strike. He does what he wants; we do what we want and we are both happy (except that he gets hit).

We become his shadow and our strikes come out from his actions. Which gets me to another subject – Monsanto. This company is copyrighting patents on genetically engineered food and getting the large “factory farms” to use their seeds. Since they own the seeds the farmers are not allowed to keep seeds to replant. They have to buy their seeds from Monsanto every year. The attempt is to copyright organisms and own them.

Many people think this is outrageous. If a farmer is using natural seeds and Monsanto pollen enters his fields through the wind, then Monsanto automatically owns the rights to his crops and he can no longer save his seeds to plant.

This is why I think that we all need to become farmers. Even if we just plant a few tomatoes or peas in a plant pot we are helping prevent a company from owning life itself. We also are assured of healthy, tasty tomatoes and peas.

I see Monsanto’s “ownership” of life as a sort of strike against humanity. They are trying to become God. While we certainly need to fight against that through legislation, simply planting food plants is a way of undermining Monsanto. It is a shadow form of farming that makes them less powerful. Let they try to investigate everyone who has peas growing in a pot in their window to see if it is one of their copyrighted peas. Let them exhaust themselves. Let them fight the shadow farming.

Remember to save some peas or tomato seeds for next year. Keep them dry and in a dark place. Use paper envelopes – not plastic bags – to store them.

My garden is so prolific that I weed hundreds of tomato plants each year. The tomatoes fall on the ground and the next year they grow like grass. I compost with kitchen waste, grass clippings, dead leaves (not oak!) and ashes from my wood stove. If you have a rabbit or hamsters (or a horse or cow of course), you can use their waste in the compost as well.

Let’s all be shadow fighters in the fight for the right to grow our food. It is one of the most fundamental rights of humanity.

TRADITIONAL MARTIAL ARTS TRAINING

One of the discussions going around in the world of martial arts is whether there is a value in traditional martial arts. Lately the “systems” of Mixed Martial Arts and Ultimate Fighting have become very popular. Students don’t want to go through the long process of traditional learning but would rather start fighting right away.

There are also discussions in the field of education about traditional or “classical” education vs. vocational training (just learning to do a job). On another front, students who are used to texting are having trouble being able to write essays in school or even letters.

In each case there is a devaluing of developing a student as a whole human being. It is a fulfillment of the trend begun in the industrial revolution of turning people into parts of the machine. It seems strange to me that just as we have unparalleled access to information and educational opportunities and as teachers of many styles of martial arts, exercise and healing make their training easily available, we are moving more towards a dumbing down society. The goal is just to make the money or knock out an opponent.

Traditional martial arts training teaches you to live in peace with other people and to feel part of all living things. It teaches you to consider all life to be sacred including the life within your own body so you would strive for a healthy lifestyle.

It teaches you to understand the underlying philosophy of the training and to appreciate education in all its forms. Most importantly, you learn to understand your own behavior and put it in perspective so you can grow as a human being.

This doesn’t mean that you don’t practice fighting. You certainly learn to defend yourself. You also spar as exercise and sport.

Many people recently have asked me to open new martial arts classes, but when they realize that I teach traditionally and expect a well rounded martial arts education, they are less enthusiastic.

I wonder, what is it about this particular time in our society that has changed what people have come to expect of the martial arts or of education in general.

TRAINING WITH GRANDMASTER WILLIAM C. C. CHEN IN THE 1970s

I have been asked to recount my experiences of studying with Tai-chi-Chuan Grandmaster William C. C. Chen in the 1970’s. When I first saw his form, its fluidity and lightness amazed me and I knew I would continue studying this art for the rest of my life.
He began each class doing the entire form once through. I remember one particular time when he was moving so beautifully that I had to stop and step to the side to give him my full attention. I noticed that none of the other students saw anything unusual in Master Chen’s movements. In fact, the other students never really watched him doing the form. They were always in their own world.
Master Chen peeked around at the students at one point and saw me watching him and he laughed under his breath. I asked him later what he was doing differently but he said he was just doing the form as usual.
In another case he was trying to get me to relax when he kicked me in the gut. I couldn’t relax and always tensed up. At the end of the class we were all in a tight circle listening to Master Chen and he said, “When you kick, you have to kick like this” and he kicked me right in the gut. Of course, I wasn’t expecting it so I was relaxed. He turned to me and said, “Oh, sorry, I didn’t see you standing there”.
At this time I owned an animal importing company and tried out what I learned with the animals. Then I took what I learned from the animals and tried it out in the class. From time to time I brought in an animal to show Master Chen. When I brought in a tarantula, I put it right onto his arm to see what his reaction would be. He just calmly watched it walk around on his arm and said it was “cute”.
On my first day of fighting class, he had me punch him in the face to get the feeling of punching (I was wearing boxing gloves). I was hesitant to punch him in the face as his only protection was little pieces of paper towels curled up into his nostrils. He insisted that I continue punching him and urged me to hit harder. After about 30 punches, I stopped and he asked me why I stopped. I explained that my wrists and arms were hurting.
My interest was not to learn fighting but to learn for health purposes. But Master Chen insisted that I take at least two months of fighting classes. At the end of the two months, Ed Scott (one of his instructors) punched me into a corner and kept punching. I hid under my arms and peeked out hoping to get Master Chen’s attention to deal with this situation. Master Chen was watching us but he was laughing. My only hope was to wildly try to punch back and then Ed backed off (not that he really had to. My punching wasn’t very good at that time). But something snapped in me and from that moment on I loved sparring. I continued going to sparring class.
The emphasis of his training was on allowing force to flow through the body while using minimal movement. He brought in a simple hygrometer – a bowl half filled with water, with a sheet of rubber stretched out on the top. A hollow glass tube pierced the rubber sheet and went into the bowl. When he pressed down on the rubber sheet, the water shot up the tube. He explained that when you step down you should feel as if you are stepping on a rubber ball. The compression of the ball creates an energy which shoots up through you. It is as if you are the hollow tube.
Before fighting, he would tell us a story which seemed to be leading to a lesson. It was hard to understand him at that time as his accent was thicker than now. So we strained to understand him. Then when he got to the conclusion, his “lesson” seemed to have nothing to do with the story. He immediately paired us off to spar. But our heads (at least mine) was spinning with confusion as to what he was getting at with the story. As I sparred, my mind was all bound up and I found I could spar much better. Did he confuse us on purpose? I don’t know.
He always told us to ask him questions, but in all the years I went to his classes I don’t remember anyone asking him anything. I always came in prepared with at least one question. It made me have to analyze what he had taught us. Most of his students were from the city and didn’t have cars. I came in from Long Island. So I drove him home after the classes. There I could ask him lots of questions. He once told me about the time he tried to get into a parking space. Another car tied to swerve in to get the space. Master Chen and the other guy got out of their cars. There was an argument. Master Chen knocked the other guy down, who then ran back to his car and drove away.
I asked Master Chen, “Isn’t Tai-chi supposed to be peaceful? And now you’re telling me you knocked that guy down!” He replied, “It was peaceful after I knocked him down.”
His studio at that time was on 23rd Street, near 7th Avenue. The floors were marble and the air conditioning didn’t work. There were no windows. It must have been 120 degrees in the class during the summer. After fighting class I felt the punches to my head for a full day, as if someone were still punching me. We always started sparring by punching each other in the head a few times to warm up. I remember that when “Big Bob” and Ed Scott (both over 6 feet tall and around 250 pounds) punched each other in the head to “warm up” it lasted about 10 minutes. They would pound each other without protecting themselves to get used to being hit. (In those days we didn’t wear headgear). The sound of their poundings were so loud that you couldn’t hold a conversation until they finished.
The walls of the studio were covered with quarter inch paneling (no sheetrock). If you were thrown against the wall during push hands, you hoped you would land between the studs, in which case the paneling bowed in, rather than directly onto the stud.
Priscilla had her Amway storehouse in a little room off the entrance hall and would keep the students supplied with soap and other products. Right after that room was a little counter and behind that Master Chen’s office. At a certain point (I think in the early 1980’s) I stopped attending class. I had moved further out on Long Island, so the trip was difficult and had taken on other responsibilities such as writing my books. After a few years, I visited Master Chen. I walked into the studio and up to the counter where he was looking down at his paperwork. He looked up and just started talking to me as if we had been in the middle of a conversation.
Nothing ever surprised or upset him. When we went to the movies one day Priscilla got upset about someone in front of us talking too loud. She was going to complain but Master Chen said, “Take it easy. Relax.”
His fighting was very quick and evasive. At a certain point I realized that if I aimed for where he was I would never hit him. So I learned to strike to where I thought he would move to and was much more successful in getting my strikes in.
His form always seemed to me to be like dripping water. He almost moved into position and then relaxed to move into the next position. Yet you could see that his energy completely finished the move even if his body “understated” the move. If you could divide your mind into two parts – one following the body’s movements, and the other to the natural completion of the momentum, you could understand the way Master Chen “blended” the two in various ways.
That is what taught me the most. I analyzed the components of his form both on a body mechanics level and an energetic level. That allowed me to understand what he was saying when he tried to explain the principles. So when I practiced push hands in class for example, I tried to extend the “mind” into the part of the partner’s body which had the least awareness or the least fluidity and then let the mechanics of my body create momentum to move along the pathway that my intention laid down, leading to that vulnerable part of the partner’s body. The expansion of my breath then caused the push itself.
I think that you cannot just take what Master Chen says and try to duplicate that within yourself. You have to see him, analyze the role of body mechanics, mind and energy and apply it in innovative ways so that it works for you. I think that is what he expects of you. He used to say that he is just interested in body mechanics, but I notice on the workshop dvd that he is now talking more about mind and energy.
I don’t think you can separate mind and energy dynamics and only work on body mechanics and hope to gain the kind of skill that Master Chen has. He also seems to concentrate on a different aspect of Tai-chi-Chuan in each decade. You need to know the whole range of his teaching from the beginning when I studied to now, to get an appreciation of the whole. I wish he had done a workshop dvd each decade so we could see the evolution of his approach to teaching.
I should also mention that I originally studied with one of his students, Herb Ray, who also had this analytical approach, taking apart every nut and bolt of the training in excruciating detail. The emphasis on how I teach now is identifying and letting go of all unnecessary behavior patterns so that there is no excess of movement – that the goal is accomplished with the movement of energy and the minimum movement of the body. I think this is the essence of Master Chen’s training.
He once wrote me a saying in Chinese (which I still have) that Master Chen, Man Ching taught him. “Tai-chi means not moving arms. If it is moving arms, it is not Tai-chi”. This means of course, not moving arms by themselves. At least that’s what he told me it means. I don’t speak or read Chinese.
These are some of my recollections and I have devoted my life to promote what I learned from Master Chen and from my other teachers. One thing I personally feel very strongly about, and this comes from my other teachers. Without really understanding Taoist alchemy and the teaching of the elements, it is very hard to progress in Tai-chi. You just get to a certain point and you can’t seem to get any further. Just thought I would throw that in, now that I have your attention. I would also suggest getting involved in acupressure massage as this really gives you an understanding of how the flow of energy in many people has become so entangled in a mess. It helps to understand that when you do push hands. If you can perceive the dynamics of the partner’s attention and energy flow, then push hands becomes very easy to do. (Or I should say that it becomes very clear what you need to do. “Easy” is probably not the proper word.)

PUSH HANDS CLASS

Take a look at clips from one of our push hands classes:

http://www.youtube.com/watch?v=EsXq_S9WIAU

EMPTINESS IN THE MARTIAL ARTS

Internal of “soft” styles of martial arts require a radically different use of the attention than do external or “hard” styles.   In hard styles (e.g. Karate, TaeKwonDo and many Shaolin styles) your attention is drawn to the power of the opponent. You meet their incoming force with the force of your block.  Whoever is more powerful, wins.

In internal styles (Tai-chi-Chuan, Pakua (Bagua) and Hsing-I), your attention is drawn to the empty spaces where the opponent is not concentrating his force.  You (very quickly) melt away from their force and move towards an empty space next to him to deliver your own force.

In order to train to not have your attention captured by an opponent’s force, you must first learn not to have your attention captured by your own habits.  These habits were programmed into you or were just repetitive behaviors that you fell into.  They are the opponent of your creativity.

The slow forms teach you how to make your attention more liquid so that it cannot easily be grabbed.  You learn to connect your attention to the ground by starting each movement from your “root” so that your attention is not easily pulled out and controlled.

Push Hands teaches you to be creative with your attention and use it in a dynamic way in relation to another person. You learn that force is not “his” or “yours” but lies in the relationship between you.  If his fist is moving towards your head and you move your head slightly away, then there is no force, at least none of consequence to you.

Once you are empty of your own habits, including the habit of letting your attention be grabbed by other people, then you are free to be creative in your fighting and in your life.  You pay more attention to the empty space in which you can move.  You pay more attention to the moving a relationship in positive ways, rather than butting heads.

Emptiness becomes the central focus of your “internal” martial arts training.  The tighter you are and the angrier you are, the less “space” there is.  Without this kind of space, you are forced to fight in a robotic way, becoming tighter and angrier.  If you can give up your inefficient habits, let go of anger and spar in a relaxed way, then the martial arts can be very enjoyable and you will be very effective.

While you are “empty” of habits, you are full of life and vitality

HOW TO AVOID ATTACK

Tai-chi-Chuan teaches you how to avoid attack on the street and to make it difficult for a sparring partner to defeat you in class.  Even if you are not strong or are not used to fighting, there are ways you can thwart the attacker’s efforts.

A mugger is looking for an easy attack on someone who won’t or can’t fight back.  He mugs for a living and doesn’t want to get hurt “on the job”, just like anyone else.  The mugger must assess the physical abilities of his victim as well as the victim’s state of awareness. 

There are three qualities you can develop to lessen the chances of becoming a victim.  The first is the alignment of the body.  If your body is not aligned properly you are probably not involved in any physical activity that requires coordination.  The mugger can sense this.  Any training, such as Tai-chi, Zookinesis, Yoga or Pilates can teach you the proper alignment of the body.  Even the use of such physical therapy aids as the foam roller will improve your posture.  This will also improve your overall health.

The second quality is the fluidity of the body.  If your body is stiff and tight, you probably can’t move very well and certainly can’t run after the attacker.  A person who walks fluidly and is well connected to the ground may offer the mugger trouble.  If your body seems bouncy and alive you may have the energy to run after him.  The training methods mentioned above as well as such activities as trampoline work will bring that fluidity to the body.  Trampoline, Zookinesis and the animal forms of the martial arts are especially good at adding that bounciness to the body.

The third quality a mugger looks out for is awareness.  If you are aware of what is going on around you, you can prepare for an attack.  Strong awareness also shows that you have had some training, as the awareness of most people is very dead.   All of the above training helps with awareness, especially the Push Hands exercise of Tai-chi, sparring in general and the Zookinesis exercises.

In a classroom situation there are ways to thwart the sparring partner as well.  Most fighters concentrate on the opponent’s fists and feet and sometimes elbows and knees as well.  But they don’t concentrate on the space between the sparring partners.  Proper Tai-chi training teaches you to move into the open spaces so that the opponent is jammed.  You should be more interested in the spaces between you than in the strikes of the partner.  Let his strikes trigger you to move into the open spaces where you can easily deliver your own strikes. 

This requires that you don’t keep moving forward and back as with most styles of fighting.  You stay in and don’t allow the partner space to move or even time to relax and catch his breath.

Another way to quickly tire out the partner is to make his attention move rapidly.  Most people have very weak attentions.  While a properly trained martial artist has a “field of attention” so that he can deal with many things going on at a time, most fighters have a “single-pointed attention” which can only be in one place at one time.  That person’s attention has to jump from one place to another and it gets tired.  

So you should strike to different parts of the body.  You can punch the legs as well as the head and body.  You can integrate kicking with the punching rather than using punching for a while and then switching to kicking.  Add a little bit of grappling as well, just for a second or two, here and there and then go right back to punching and kicking.  If your partner cannot predict what you will do next, his attention is uncertain and wears out quickly.

Keep the body fluid.  Allow your hips, lower ribs and elbows to rotate in small circles and allow the head to reflect this movement.  This will allow you to respond quickly and will make it difficult for your partner to aim.  It will require his attention to follow your movements and most people cannot do that for long.

These are but a few simple ways that proper Tai-chi training can teach you to be uninviting to attackers and to make it difficult for an attacker to defeat you.

THE ILLUSION OF PHYSICAL PAIN

One of my students was in such agony from a punch to his shoulder that he had to sit down, shaking his head from side to side.  Yet I only gave him a light tap.  The reason that he felt the light tap as a powerful blow gives an important clue to Tai-chi as a martial art and as a healing art. 

I struck him at the moment he was about to punch me.  At that instant his attention condensed into his punching arm.  By striking the area where his attention was condensed, I shattered the attention.  Only a light tap was necessary to disrupt the attention because his attention was so condensed.

The instant shattering of a condensed attention is so disruptive that people usually interpret the experience as physical pain.  Yet when my student actually thought about whether his shoulder really hurt or not, he realized that, not only didn’t it really hurt much, but it didn’t hurt at all.  There was no real physical pain.  It was all psychological pain interpreted as physical pain.

In our culture, we are taught to condense our attention into a single point in the head. This is because our eyes are on our head and we are so visually oriented.  When our attention is locked into one part of the body or into a habit of thinking or acting, the attention is not really functional. 

One of the main reasons Tai-chi trains you to be fluid in your movements is to develop a fluid attention as well – one that can move, vary in its qualities and dynamics.  This is essential in fighting but also in living one’s everyday life.  The more rigid you are, the less functional you are and the more easily your attention can be worn out or broken.

When practicing a Tai-chi form, allow your attention to sink down into the ground, as if you are a lotus plant, floating in a pond with your roots deep into the mud below.  As you breathe in, your attention flows up through your stem (up the body) and into the lotus flower, which is within the chest at the sternum (breastbone) level.  Continuing to breathe in, the lotus flower opens and so the front of your body flows up and then opens out to the sides, like an opening flower.

The opening flower then lifts your head which is the center petals of the lotus.  Breathing out, the front of the body sinks, the sides of the chest drops to the center and your attention returns to your roots.

 This process will bring fluidity to your attention so that it can never be frozen again.  Frozen attention makes you vulnerable and ineffective.  As the reality of life tugs at your attention and your attention resists the tugs, life seems like a struggle.  You feel as if you are at your “wit’s end” because the requirements of the dynamic mobility of your attention is greater than its actual abilities. 

Once attention is freed from its rigidity it instantly has all the energy it needs.  It becomes more balanced and easier to move – just like the needle of a compass.  The needle is so balanced that it can spin around easily.  But if you move its fulcrum even a tiny bit, the needle will fall over and not move at all. 

Breathing as if you are a lotus flower is a very valuable form of meditation even while standing still (as long as you allow your body to sink down and expand upward as described above).  As we get older there is a tendency for our attention to condense (yin condition).  The lotus flower meditation helps to prevent this aging process. 

Remember that what you may interpret as frustration, anger and even physical pain, may just be the result of a rigid attention which not up to the task of functioning properly in our complex modern world.  My student could barely stand up at first because of the “pain” he was experiencing until he realized that it wasn’t pain at all but rather, the shock of a suddenly opened attention.

ESCAPING FROM OUR CAGE

The source of joy in our lives does not come from external circumstances but from our internal state, according to Tai-chi and Zookinesis principles.  We have created our own cage of fears and assumptions that blocks us from our full share of joy in life.  Through proper training you find that there are areas of the body that are dead to your awareness.  The body seems dull and clumsy rather than a finely tuned, intricate mechanism.  Your attention seems sluggish and small rather than expansive, detailed and agile.

Proper training in these disciplines begins with bringing the body and attention (consciousness) back to its original vibrant and powerful state.  You first learn to be aware of every muscle and joint in the body, how each feels and how each works.  Students find that they are using far too much effort and movement to accomplish their tasks such as the Zookinesis exercises or Tai-chi forms. 

As an example, self defense students usually respond to the opponent’s strike by trying to block the strike out of their way.  This requires the force of their own arm and results in their arm knocking into the striking arm of their opponent and getting bruised.  Through proper training the student learns to duck away from the strike and deliver their own strike into the opponent’s unprotected areas. 

He can also lightly touch the incoming strike, adding more momentum to it by pulling the striking arm in the direction it is already going.  This throws the opponent off balance.  The student can then easily throw the opponent to the ground or strike him.  In either case you are using far less effort and energy than blocking. 

In the Push Hands exercise, described in many of the articles below, the goal is to push the partner off balance while maintaining your own stance.  Beginning students tighten their shoulders, raise their bodies and push with their arms.  This is very ineffective yet it makes them feel strong.  They feel their own tightness and think they are strong. 

Soon they learn to sink their bodies, relax their shoulders and use their legs and hips to power the push.  The arms become like shock absorbers, remaining slightly firm and springy.  Yet the arms themselves do not push.  The power of the push comes from the action of the whole body.  The result is a lot more power and a lot less effort.

These physical examples are used to illustrate the types of situations that each of us face in everyday life.  Few of us get involved in the martial arts or will even encounter a physical conflict.  Yet how many of us can avoid the daily psychological stresses in our jobs and family lives?

By practicing how to deal with physical conflict in a controlled setting such as a Tai-chi class, we can apply the principles you learn to these everyday situations.  You learn to remain relaxed yet powerful.

As an example, notice how your shoulders rise and tense up during the day.  First notice the feeling of the shoulders when you first wake up and then after you come home from work.  There is no physiological benefit to tensing up the shoulders.  In fact this can lead to headaches, tiredness and add to depression.  It is just a habit.  You can’t punch someone who is giving you a hard time and so the tension builds up inside of you. 

Many people say that they just can’t help it.  But through Tai-chi and Zookinesis training you discover the very psychological mechanism that makes you tense up.  You uncover the internal “control panel” for bad habits and learn to turn them off. 

You must be willing to change.  Many of us feel that we are our habits.  We resent the idea of changing.  Yet these habits will kill us.  In a sense, we identify with these “angels of death” as if they were the basis of our identity. 

With proper Tai-chi and Zookinesis training we learn to identify with our creativity, our health and our feeling of joy.  We feel as comfortable letting go of destructive habits as we would letting to of a “hot potato”. 

As our bodies and our attention (consciousness) become more relaxed, powerful and joyful, this inner state affects our emotions as well.  We find that the aggravations and angers we previously had were not effective in improving our lives.  In fact they only served to hurt our bodies, minds and spirits. 

While it is difficult to let go of our self righteousness (because we feel that we are the perfect example of all that is right), this feeling seems silly after awhile.  After examining all our faults – our tensions and poor mechanics of the body and mind – we can hardly fault others for the same problems.  We understand the problems within ourselves and can better empathize with these same problems in other people.

Yet we can only work to improve ourselves.  Complaining to others about their problems is useless.  If you clear out your own problems you can serve as an example to others without lecturing and complaining. 

There is so much beauty in the world and there is so little time to experience it.  Why orient your attention to anything other than that beauty.  You start by clearing out the debris in your own internal state to reveal the beauty that is already there.  The sun “wants” to come in through your windows.  All you need to do is keep the windows clean.  Tai-chi and Zookinesis exercises fine tune our internal state so that the beauty of nature can always shine through.

It is amazing how, just by learning not to tense up in reaction to external circumstances, our lives can change so much for the better.  By loosening up all our joints and allowing our bodies to become flexible, we can overcome depression.  Such negative emotional states are a reflection of the internal state of the body and the attention.  Attention is a biological state of complete awareness so that every cell, muscle, bone and organ of the body feels fully alive and you feel connected to the rest of nature. 

The internal disciplines evolved during the time that people moved from living in nature to living in artificial surroundings such as cities.  Our natural biological state was being caged by the physical and cultural surroundings.  

Tai-chi and Zookinesis helped people to live in such artificial conditions and yet retain their original natural power and joy.  Remember that even though there is cement beneath your feet, there is living earth under that.  We cannot let the concrete beneath us and the square walls around us imprint their artificiality on our spirits.  Whether our spirits are caged or free is a choice each of can make, as long as we have the tools to remain free.

LEARNING FROM ANIMALS

The animal importing company was like my second home.  After school and on weekends I took care of monkeys, parrots, anteaters, hedgehogs, pythons, dragon lizards, tarantulas and dozens of other species.  The animals were my family.  Many had been there for so long that they were now fully grown.

These animals were imported from areas that were being destroyed.  They were sold to people or organizations that were studying how to breed them in captivity. 

At the same time, I went to New York City as often as possible to study a form of chi-gung based on animal behavior – a system I now call “Zookinesis”.  The reason I was chosen to receive this teaching is that my mind and spirit had already been formed to a large extent by the animals I worked with.  I spent more time with them than with people.

In this chi-gung system you learn to copy the patterns and qualities of internal energy (chi) of various animals.  By experiencing the large variety of patterns of chi you learn to appreciate the dynamics of chi.  You can then use these dynamics in healing. 

I soon began my own animal importing company and decided to live in the animal compound.  There were always problems and you had to be right there if an animal got loose or was sick.  I soon saw fewer and fewer people and more and more animals.

When I began learning Tai-chi I could relate the movements and qualities to many of the animals I worked with.  When I learned Push Hands and the self defense sparring of Tai-chi I practiced what I had learned in class with the animals.  They enjoyed it and I learned a lot from their response. 

It was important for me to learn Tai-chi sparring.  When I would unpack a shipment of new animals I never knew what to expect. The shippers often included unexpected animals or ones that were larger than what I ordered.  Opening the orders meant getting attacked by many animals that were in a bad mood.  I had to get them into their cages, protect myself and make sure not to hurt them.  I often got the worst of it. 

But as I learned the behavior patterns of each species I could use Tai-chi and Zookinesis principles to control them and calm them down. 

At a certain point I realized that I lived in a different kind of world than most people.  The very make-up of my mind and spirit was the sum of all the animals I worked with as well as the effects of my training.  This made me feel isolated.  So I searched for traditional teachers of other cultures that understood this relationship between the human spirit and the spirit of animals, cultures such as Native American, Celtic and others. 

Through readings I found that the idea of learning from the spirit of animals was widespread in the ancient world.  Ancient people felt they were an intricate part of nature.

Yet I found that in modern forms of chi-gung and Tai-chi, the practice of learning from animals is missing.  The only remnants are in the animal forms or such chi-gung practices as “The Animal Frolics” which are stylized imitations of animal movements.  But this is no substitute for working directly with animals.

There were five other large animal importers at that time in the New York City area.  Most Saturdays I visited one or two of them to see what new species they brought in.  The owners of these animal compounds would discuss their new animals with me.  If I found the animal especially interesting I would get a few in to work with them.  I spent three summers in Central America, canoeing through the rivers to see animals in the wild and visit the remote people who lived deep in the jungle. 

At the end of each trip I felt that I wanted to stay there permanently but my teachers were up in New York and I still had a lot to learn.

After graduating from college I worked as a travelling teacher of ecology around New York, New Jersey and Connecticut, bringing some of my collection of animals to each school and discussing the importance of protecting the environment.  I saw how excited the students were, how their eyes lit up at each new animal and how much they wanted to touch and hold them.  There was an innate need to be connected to nature and I provided that to the students of each school at least for one day.  After 20 years, I had presented the programs, called “The Animal Man” to over one and a half million students and teachers.

The yearning of children to connect with animals is the same yearning for each of us to be connected to our own bodies.  We have become strangers to our own bodies.  The body seems to us like some big, awkward thing down there that carries our head around.  With Tai-chi and Zookinesis we learn to feel each part of our bodies and to understand how to use the body properly.  Through these exercises each part of the body feels alive and awake.  You can feel healing taking place as the body becomes more conscious. 

In the sense of the consciousness of the body, we are not as smart as other animals.  It is only our thinking ability that is superior.  But we have sacrificed the consciousness of the body for the thinking process.

Zookinesis teaches you how to balance both forms of consciousness so that they work together.  The “Body-Mind” and the thinking mind are no longer at war. 

My Zookinesis teachers emphasized that, just as there are many forms of consciousness among different kinds of animals, there are many different perspectives in the cultures and thoughts of people.  We need to respect the different ideas and attitudes among people just as we need to respect the consciousness and the very right to live of animals.  If we have the attitude that only our own thoughts are correct then we may become disrespectful and even violent towards other people.  If we feel that we are superior to animals then we may feel justified in destroying their habitats and even entire species.

They emphasized that one reason it is important to spend time with animals is to appreciate that each species is a perfect part of the web of life of nature, that violence to bodies or to consciousness destroys all of nature. 

If we can repair the damage to our own bodies and to our own consciousness, we are actually helping to repair all of nature. 

I knew that it would be impossible to teach Zookinesis if I required my students to spend long months in the wild with animals which is how it was originally taught.  And so I combined Zookinesis training with Tai-chi to create a training system that incorporated all of my experiences into a simple, cohesive training system. 

The way my students most commonly describe their experience of this process is that they realize they have hips or they have a back or some other part of their bodies.  What they mean is that they now actually feel the aliveness of those parts of the body.  They are connected to their own bodies.  Their minds and bodies blend together so that both work at maximum efficiency.  Their behavior is no longer controlled by awkward behavior patterns, by fears, by excess movements or by the racing of the mind.  They are no longer blind to what is going on inside of them. 

When they catch themselves at ridiculous behaviors, they laugh at themselves.  We call that “The Dragon Whips its Tail”.  There is an animal mythology that goes along with Zookinesis that makes it easier to understand.  In this case the laughter helps you to whip away the ridiculous behavior as if you were flicking away a fly.  You realize that you are filled with self destructive behaviors and the laughter keeps you from getting angry or depressed about it.

For example, when we get stressed, we often tense up our shoulders.  Of course this behavior doesn’t help you deal with the stressful behavior.  It only makes you feel worse.  Through Zookinesis, Tai-chi and Tai-chi massage, all these harmful behaviors are exposed and we can more easily let them go. 

Finally our bodies and minds feel free and clear, like a natural animal.  We no longer feel caged by our own tensions and fears.  The vibrancy of nature is felt in every cell of our bodies and we feel how we are connected to the rest of life.