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HOW TO KEEP YOUR SKIN YOUNG

Healthy skin is an important part of staying young and avoiding the normal process of aging.  The ancient Chinese Taoist healing systems describe a secret training specifically used to keep the skin young.  It is an important part of Tai-chi and Zookinesis training.  Since lung tissue originated from skin tissue in fetal development, proper breathing is essential for healthy skin. 

The dynamics of the transition between the in-breath and out-breath are considered to be especially effective in preserving young skin.  I will describe this training below in a way that anyone can practice on their own.  A full program of rejuvenating the skin would also include a special type of massage I call “Zookinesis Massage” or “Tai-chi Massage”.

Following are some simple descriptions about use of breath to rejuvenate and preserve the skin.  You would practice this breathing for five minutes at a time, twice a day.  These suggestions assume a basic training in Tai-chi and its principles.  In Zookinesis training, this is called “Dragon Breathing”.  Mythology is used to describe internal processes.

1. As you breathe in, bring your attention to the inside of your whole skin, as if your skin was a balloon and the incoming air fills the balloon evenly.

2. At the uppermost point of the in-breath, prepare to breathe out by relaxing all the muscles of the body (especially the back). 

3. Just before actually breathing out, take one extra in-breath very quickly and then breathe out.  Even though you think you have breathed in completely, there should be a little more space in the lungs to get that extra breath in.  The extra in-breath comes as you are relaxing the muscles of the body.

4. Then breathe out slowly and continue to relax the body.

5. Take one normal breath in between each “Dragon Breath”.

6. Just before breathing back in for the new “Dragon Breath”, relax the bottoms of the feet, the lower back and the glute (butt) muscles as well as the back of the head.

Pointers:

It is important to relax all the muscle of the body near the surface of the skin as you are finishing the in-breath and are about to breathe out.  This includes the skin all around the head (especially the top of the head) and neck, your back and front of the body.

As you are about to breathe out you should feel as though energy from your surroundings are falling back into the center of your body and then down into the earth. 

When you are about to breathe in, fill the lower part of the lungs first.  Your belly and lower back will expand.  Then fill in the middle and upper part of the lungs.  Fill the back of the lungs as well as the front so that the whole torso expands.

This process will bring energy (“chi”) up from the earth, through your body and out the skin.  It is very important to allow this feeling of energy to move through the skin as you take that extra breath.  Release the energy that has moved through the skin.  Let it go! 

The energy that remains within the body will then sink back into you and down into the earth as you breathe out.  This in turn, will draw more energy into your body from the environment

This movement of energy through the skin keeps it refreshed and energized. 

This process is called the “Dragon’s Breath” because when you transition between the in-breath and out-breath, the relaxation of the muscles causes a feeling of the breath “igniting”.  You feel instantly supercharged.  This is why you must take a normal breath in between the “Dragon Breaths”.  The normal breath calms the energy.  Going from charging the breath to relaxing the breath is an important component of this training.

When you are receiving Tai-chi Massage you are practicing this breathing.  The masseur paces his massage according to your breathing.  This allows the flow of energy in and out of the body to penetrate all the body’s tissues, reversing the aging process throughout the body.  It greatly magnifies the effect of the “Dragon Breathing” to reverse the aging process of the skin.

Another effect of these practices is that the eyes become bright and energized.  You can see the vibrant energy in the eyes of a person involved in this training.  It creates a feeling of emotional calm yet an energized, positive outlook on life.

Dragon breathing is easy to learn and takes very little time to practice. It is also a safe practice.  Before you begin this practice, feel the quality of your skin.  Then feel your skin again every month to notice the improvement.  Also pay attention to the improvement in your attitude, your energy levels – your general outlook on life. It is sometimes hard to remember what you used to feel like before this training

PUSH HANDS AS CHI-GUNG

Push Hands is the most effective way to get in touch with the inner workings of your body, to learn to perceive and use internal energy, to perceive the dynamics of consciousness itself and to unite mind and body into a powerful and efficient system.  The original type of Push Hands exercise was a type of two person chi-gung. I list below some of the Push Hands principles for those who want to use their practice to develop internally.  These points will be especially meaningful to those who already practice Push Hands.  For those who have not yet learned this wonderful exercise, this will give you some insight into its flavor.

The exercise begins with the two partners facing each other with one foot forward.  Their forward feet are right next to each other.  Their arms are connected and the goal is to push each other over.

1. Aligning Heaven and Earth.  The earth is solid.  Heaven is gaseous.  Align the body in such a way that all of your weight sinks into the earth.  The legs are heavy with weight and the top of the body is very light.  The hips are in-between so they feel rubbery.  The hips connect the lightness on top to the heaviness on bottom.  There is a tendency, when force is applied to you, to tense up on top, bringing your weight upwards.  Think of yourself as a pyramid.  You have a wide base on bottom.  Your head is like the point of the pyramid.  When someone pushes you on top, your chest for example, they feel that there is nothing there; that most of you is underneath their push.

2. Connective Tissue.  Absorb their push into your connective tissue (ligaments and tendons and fascia).  Think of yourself as the bowstring of a bow.  The bow itself is between you and your partner.  When your partner pushes, he is pushing back the bowstring.  You then release that stored force from your center (your tan-tien) as the bowstring releases, (adding your own internal energy and the force from your legs and hips).  This is just like an arrow shooting out from the center of the bow.  Remember that the bow itself (the structure of your body) must remain firm.  The bowstring (your connective tissue, ligaments and tendons) is all that bends.  It is also important that all of the connective tissue of your whole body bends equally, just as the bowstring bends equally throughout its length.  As to how to direct the partner’s force to just these tissues of the body, a competent teacher is necessary to help you learn this principle.

3. No Telegraphing. When you are about to push, don’t telegraph your intentions.  This means that you don’t raise up your force to your upper body as if to say, “I am about to push you.”  There is a psychological impulse to prepare for the push.  You must remain in an aligned position throughout the Push Hands so that you can push at any moment from where you are.  Needing to prepare for the push means that you are not aligned at that moment.

4. Notice Telegraphing.  Watch for this telegraphing activity in your partner.  As soon as he prepares to push, push him at the moment of preparation.  His force will be top heavy at that moment and he will be easy to push.

5. Don’t Resist.  Don’t tighten up if you feel your partner is about to successfully push you.  It is better to get pushed than to tighten.  The whole point of this exercise is to learn to remain relaxed, to neutralize the opponent’s force through relaxation and to issue your own force with a relaxed mind and body.  You are only cheating yourself if you tense up to avoid getting pushed because you will never learn real Push Hands.

6. All Force is Your Force.  Don’t think of the force of your partner as “his force” pushing against you.  Accept all force as part of your own energetic system and realign your body to distribute that force equally throughout your body.  If you remain even in this way at every moment, his force will have no effect.  You are like the ringmaster of a circus.  You are coordinating all the acts so the show runs smoothly.  Similarly, coordinate all the forces you feel (gravity, momentum, the partner’s force etc.) so that nothing gets jammed up.  Don’t think of the partner’s force as an attack but just as force that needs to be aligned and balanced within your energy system.

When you do any chi-gung exercise it is important to balance the chi, not only within your body but with the chi of your environment as well.  It is dangerous to hold chi just within your body and isolate it from the environment.  Push Hands teaches you the importance of balancing your internal forces with outside forces. 

7. Use of the Joints.  Receive your partner’s force within all your joints as well.  Don’t deal with his force as one attack but absorb the force into all of the joints of your body.  In this way each joint will be dealing with only a tiny fraction of the original whole force.  That will be much easier to deal with.  When your joints and the connective tissue, ligaments and tendons are all dealing with his force, what seemed like a powerful push now seems like a bunch of tiny pushes that are easy to neutralize.

8. The Floor is Under You.  When you push, there is a tendency to freeze part of your body (usually your back) to serve as a solid floor from which to push.  Your back should remain relaxed and flexible.  Use the real floor itself as your ground.  Position yourself as a wedge between your partner and the floor with no frozen part of the body in between.  There is also a tendency to freeze your attention in order to push.  This is a difficult issue to learn about on your own and requires a competent teacher.  Buddhists call this “the round of birth and death” (of the attention).  It is similar to the issue of “telegraphing” (#3 above).  You feel you must solidify your attention in order to act.  Push Hands teaches you to maintain the fluidity of your body and of your attention at all times and to use the solidity of the ground beneath you.

9. Remain Stable.  Don’t lean on the partner.  If you try to thrust your weight into the partner, he will just turn to the side and you will fall down.  Always remain stable within yourself.  The applications to everyday life are obvious.  Force issues from the ground up with the sequential expansion of each joint.  In this way the force moves in an upward and forward direction, uprooting the partner.

10. The Tan-tien is the Top of Your Force.  As the force issues from the ground upward, it moves into the Tan-tien (just below the navel in the center of the body) then out to your pushing elbow and into the partner.  You force should never rise above elbow level.

11.  Yin and Yang.  The Yang part of the body is the back and the outside of the legs and arms.  The Yin part is the front and the inside of the legs and arms.  Yang force can only move through the Yin parts of the body.  Imagine a ceramic water pipe.  The ceramic is the Yang part, the structure of the pipe.  The empty space inside is the Yin part.  Water can only flow through the empty space, not the ceramic.  Your pushing force should only move through the front of the body and the inside of the arms and legs. 

12.  Breathing.  It is common to breathe out when pushing.  I teach that you should breathe in.  Imagine that you are a balloon.  When you breathe in the balloon expands, pushing the partner.  Try sitting down in a chair and then standing up.  When you sit and relax, you tend to breathe out.  When you stand and are ready for activity you tend to breathe in.  Breathing in is active and breathing out is passive. 

It is important to breathe into the lower abdomen only and not into the upper chest.  Breathing into the upper chest will bring your force upward and it should rather go forward and outward.  Breathe equally into the belly and the lower back so that the whole center of the body expands.  Remember that a balloon expands spherically.  In this way you will not need to tense your back.  The breath will provide the solidity.  This is why breath is called “the soft bones”.  Breath provides solidity so that the body can remain relaxed.

13.  Maintain Your Connection.  Make sure that the connection with your partner through your arms and hands remains steady.  Keep that pressure constant even though the pressure should only be “four ounces”.  You may have a partner who is extremely tense.  In that case the pressure should be four ounces lighter or heavier than his, depending on whether you want to lead him into you or away from you. 

14.  Control from Your Center.  Lead your partner into your center.  From there you can make slight adjustments in the angle of your hips to lead him off balance.  If his force is connected to your center then you are controlling the action from the center of your body.  Imagine you are picking up a heavy metal pipe.  If you pick it up from one end, it seems heavy.  Pick it up from the center and it seems light because it is balanced. 

When you connect the partner’s force to your center and work from there, you need much less effort and movement. 

15.  Eyes in the Belly.  There is a tendency to “view” the interaction from the head because that is where the eyes are.  I teach that Push Hands should be done with closed eyes so that you are concentrating on the feel rather than the sight of the interaction.  This also allows you to center your attention in your belly rather than keeping it in the head.  Once your attention is centered, the whole body will become centered.

These are some principles you can bring into your Push Hands practice to make it a form of chi-gung rather than a pushing and shoving contest.  When it is done properly, Push Hands can easily take care of the “pushers and shovers”. More importantly, it can be a great tool for healing and learning to live your life more effectively.  (See our “Push Hands – the Heart of Tai-chi Training” dvd).

LEARNING FROM ANIMALS

The animal importing company was like my second home.  After school and on weekends I took care of monkeys, parrots, anteaters, hedgehogs, pythons, dragon lizards, tarantulas and dozens of other species.  The animals were my family.  Many had been there for so long that they were now fully grown.

These animals were imported from areas that were being destroyed.  They were sold to people or organizations that were studying how to breed them in captivity. 

At the same time, I went to New York City as often as possible to study a form of chi-gung based on animal behavior – a system I now call “Zookinesis”.  The reason I was chosen to receive this teaching is that my mind and spirit had already been formed to a large extent by the animals I worked with.  I spent more time with them than with people.

In this chi-gung system you learn to copy the patterns and qualities of internal energy (chi) of various animals.  By experiencing the large variety of patterns of chi you learn to appreciate the dynamics of chi.  You can then use these dynamics in healing. 

I soon began my own animal importing company and decided to live in the animal compound.  There were always problems and you had to be right there if an animal got loose or was sick.  I soon saw fewer and fewer people and more and more animals.

When I began learning Tai-chi I could relate the movements and qualities to many of the animals I worked with.  When I learned Push Hands and the self defense sparring of Tai-chi I practiced what I had learned in class with the animals.  They enjoyed it and I learned a lot from their response. 

It was important for me to learn Tai-chi sparring.  When I would unpack a shipment of new animals I never knew what to expect. The shippers often included unexpected animals or ones that were larger than what I ordered.  Opening the orders meant getting attacked by many animals that were in a bad mood.  I had to get them into their cages, protect myself and make sure not to hurt them.  I often got the worst of it. 

But as I learned the behavior patterns of each species I could use Tai-chi and Zookinesis principles to control them and calm them down. 

At a certain point I realized that I lived in a different kind of world than most people.  The very make-up of my mind and spirit was the sum of all the animals I worked with as well as the effects of my training.  This made me feel isolated.  So I searched for traditional teachers of other cultures that understood this relationship between the human spirit and the spirit of animals, cultures such as Native American, Celtic and others. 

Through readings I found that the idea of learning from the spirit of animals was widespread in the ancient world.  Ancient people felt they were an intricate part of nature.

Yet I found that in modern forms of chi-gung and Tai-chi, the practice of learning from animals is missing.  The only remnants are in the animal forms or such chi-gung practices as “The Animal Frolics” which are stylized imitations of animal movements.  But this is no substitute for working directly with animals.

There were five other large animal importers at that time in the New York City area.  Most Saturdays I visited one or two of them to see what new species they brought in.  The owners of these animal compounds would discuss their new animals with me.  If I found the animal especially interesting I would get a few in to work with them.  I spent three summers in Central America, canoeing through the rivers to see animals in the wild and visit the remote people who lived deep in the jungle. 

At the end of each trip I felt that I wanted to stay there permanently but my teachers were up in New York and I still had a lot to learn.

After graduating from college I worked as a travelling teacher of ecology around New York, New Jersey and Connecticut, bringing some of my collection of animals to each school and discussing the importance of protecting the environment.  I saw how excited the students were, how their eyes lit up at each new animal and how much they wanted to touch and hold them.  There was an innate need to be connected to nature and I provided that to the students of each school at least for one day.  After 20 years, I had presented the programs, called “The Animal Man” to over one and a half million students and teachers.

The yearning of children to connect with animals is the same yearning for each of us to be connected to our own bodies.  We have become strangers to our own bodies.  The body seems to us like some big, awkward thing down there that carries our head around.  With Tai-chi and Zookinesis we learn to feel each part of our bodies and to understand how to use the body properly.  Through these exercises each part of the body feels alive and awake.  You can feel healing taking place as the body becomes more conscious. 

In the sense of the consciousness of the body, we are not as smart as other animals.  It is only our thinking ability that is superior.  But we have sacrificed the consciousness of the body for the thinking process.

Zookinesis teaches you how to balance both forms of consciousness so that they work together.  The “Body-Mind” and the thinking mind are no longer at war. 

My Zookinesis teachers emphasized that, just as there are many forms of consciousness among different kinds of animals, there are many different perspectives in the cultures and thoughts of people.  We need to respect the different ideas and attitudes among people just as we need to respect the consciousness and the very right to live of animals.  If we have the attitude that only our own thoughts are correct then we may become disrespectful and even violent towards other people.  If we feel that we are superior to animals then we may feel justified in destroying their habitats and even entire species.

They emphasized that one reason it is important to spend time with animals is to appreciate that each species is a perfect part of the web of life of nature, that violence to bodies or to consciousness destroys all of nature. 

If we can repair the damage to our own bodies and to our own consciousness, we are actually helping to repair all of nature. 

I knew that it would be impossible to teach Zookinesis if I required my students to spend long months in the wild with animals which is how it was originally taught.  And so I combined Zookinesis training with Tai-chi to create a training system that incorporated all of my experiences into a simple, cohesive training system. 

The way my students most commonly describe their experience of this process is that they realize they have hips or they have a back or some other part of their bodies.  What they mean is that they now actually feel the aliveness of those parts of the body.  They are connected to their own bodies.  Their minds and bodies blend together so that both work at maximum efficiency.  Their behavior is no longer controlled by awkward behavior patterns, by fears, by excess movements or by the racing of the mind.  They are no longer blind to what is going on inside of them. 

When they catch themselves at ridiculous behaviors, they laugh at themselves.  We call that “The Dragon Whips its Tail”.  There is an animal mythology that goes along with Zookinesis that makes it easier to understand.  In this case the laughter helps you to whip away the ridiculous behavior as if you were flicking away a fly.  You realize that you are filled with self destructive behaviors and the laughter keeps you from getting angry or depressed about it.

For example, when we get stressed, we often tense up our shoulders.  Of course this behavior doesn’t help you deal with the stressful behavior.  It only makes you feel worse.  Through Zookinesis, Tai-chi and Tai-chi massage, all these harmful behaviors are exposed and we can more easily let them go. 

Finally our bodies and minds feel free and clear, like a natural animal.  We no longer feel caged by our own tensions and fears.  The vibrancy of nature is felt in every cell of our bodies and we feel how we are connected to the rest of life.

MEDITATION

The process of meditation returns us to our natural state.  Our culture and our own minds have weaved many tales of who we are, where we came from and how we must conduct our lives.  Yet within us, there is a direct experience of our biological nature.  There is also an experience of our connection to the rest of nature.  These direct experiences are overshadowed, in modern times, by the stories we have been told about who we are. 

The direct, natural experiences are like a small child who constantly tugs at his parent’s clothes to get attention.  The adults keep talking to each other and ignore the child. 

Meditation is the act of yielding to the tug of your biological nature.  It is like water sinking into the earth.  As it sinks, the water enlivens the earth, allowing life to flourish.  As your attention sinks back into your body, and then into your connection to the rest of nature, the body, mind, emotions and all the other parts of a human being, become enlivened.  You realize that you are not just your thinking process.  You are not just your opinions.  You are not just your job title.  You are the experience of life itself.  This experience is often lost in the hustle and bustle of everyday living. 

Imagine you are walking through a carnival.  The carnival barkers (the people running the games) call out to you to put a dollar down to throw a ball to knock down some bottles or to throw a dart to puncture balloons.  As you walk, each barker shouts at you loudly to get your dollar. 

Life is like this.  The story our culture tells you is that your choice in life is to decide which game to play – which barker to yield to.  You may yield to the barker of buying the latest fashions or the newest cars.  The barker’s job is to convince you that you can only be a good person, you can only be satisfied, if you yield to him.  That barker may also be selling a religion or a political party. 

When you experience your biological nature, the barkers no longer have any hold on you.  They are merely people yelling at you. 

So people ask me, “How should I meditate?”

While sitting meditation is popular, I have found the best form of meditation for me is natural movement.  This may be Tai-chi, Zookinesis or any other form of activity based on the movement of animals.  Even watching animals in nature is a wonderful form of meditation.  When you imitate an animal’s movement you participate in its flow of energy (chi) and that heals you.  Dance serves a similar purpose. 

As the body moves, the mind (attention) moves along with the body.  Body and Mind flow together and become united.  The connection of body and mind heals a basic rift in the fabric of your spirit.  By experiencing the interpenetration of body and mind, you become more sensitive to the possibility of being part of a larger “body” and a larger “mind” – that of nature.  You become aware of movements of energy, movements of consciousness that flow through you.  You no longer feel isolated. 

Rather than your body and mind battling each other, you experience integration.  This affects your relationship with other people resulting in a less combative feeling.  In this way the practice of meditation can lessen the conflicts between members of a society resulting in less animosity and a more enjoyable way of life.  At the same time, each person is more of an individual.  Rather than tying your identity to the stories of the society you identify with the experience of your own individual nature.  The stories are then seen as creative expressions of deeper truths rather than as shallow facts.

I was inspired to write about meditation this week because of the Christmas holiday and the many television shows about Jesus and the history of Christianity.  It always seemed odd to me that all of the focus of these programs were on what happened rather than on what he taught.  The same could be said of other ancient religious figures.  Nowadays Jesus’ teachings are laid out in beautiful detail in the Gnostic Gospels.  They are amazing in their clarity and beauty.  Yet it seems that all people want to discover from these documents is whether Jesus was married to Mary Magdalene. 

I think that our culture has become shallow in many ways.  We seem interested only in the gossip, the soap operas.  In the martial arts we are only interested in techniques rather than principles.  We think of Tai-chi as a six lesson course to memorize a series of movements rather than as a life long dedication to health and awareness.  And I have never been able to figure out why in heaven’s name, is a perfectly good pair of pants or shoes suddenly out of style. 

This past summer my daughter told me she finally had it with my lack of style.  She bought me a new bathing suit.  When I looked around on the beach it was true that no one was wearing the style I had been wearing all these years.  There was a new style that looked like a pair of baggy walking shorts.  My daughter told me that this new style had been around for a few years and I never noticed the change before.

Apparently your biological nature does not warn you about style changes.  It tells you about how to stay healthy and happy.  It tells you about your connection to all people and all life.  It shows you how being violent to others (physically, emotionally or intellectually) is really being violent to yourself.

Meditation really serves to remind you who you really are.  We need to be reminded from time to time.

WHY IS TAI-CHI SPIRITUAL?

Tai-chi is considered to be a “spiritual” practice and many people wonder how a physical exercise can be called spiritual.  While most people begin their Tai-chi practice to improve their health and to reduce stress, they soon learn that there is much more to this ancient exercise.  As a child, you may have opened the back of a watch (when they were made with gears and mainsprings) and were amazed at what you saw.  You gradually came to understand how the watch worked and may have even embarked on a career as a mechanic or engineer.

When you understand the mechanisms that control how you behave as a person you can be more creative with yourself and improve those mechanisms.  We gain our basic skills in working with the body until every joint and muscle becomes relaxed, alive and conscious.  You feel alive like you never felt alive before. 

When you practice a Tai-chi form, you feel that each part of the body has a will of its own and wants to do the form.  As in a music band, one member may play part of the song a little differently and the other band members, hearing this change, go along with it and support it.  In the same way, part of your body may want to move differently and the other parts are consciously aware of this and support that creative change.

The result is a consciousness or feeling of self, which is evenly distributed throughout the body and not just located in the head. In some disciplines you are taught to eliminate the ego or feeling of self.  In the Tai-chi approach you just share this feeling of self with every cell, organ, muscle and bone in the body.  You become a cooperative community of living individuals who all feel they are part of the same “tribe” (which is you as a whole person).

How would this world be if all people felt they were part of the same tribe?  In Taoist theory, how all the parts of yourself relate to each other determines how you as a whole, relate to other people.  If a whole culture is taught to believe that we live in our heads and in our thoughts and our bodies are just a dumb machine, then that affects how that culture relates to other cultures.  If the head just orders the rest of the body around and doesn’t care how the body feels, that affects your relationships with other people.

When we practice the Push Hands exercise (described in detail in several other articles below), we quickly learn that if we forcefully try to push the other person over, this locks us up and actually allows the other person to push us more easily. 

If you use force, you have the attitude of force in your mind and your opponent can use that attitude to defeat you.  In a similar way, if you are the type of person who is always trying to get away with something, to take more than you give, then you are actually more susceptible to get scammed.  The internet spam emails only work if you think you are getting something for nothing.

That is why, in our practice, we always try to have even exchanges with people, to not cheat them and to not be cheated by them.  In Push Hands, where the other person comes in to push, we yield.  But we move into the part of their body which is inactive.  The balance of yin and yang is maintained but the result is that we always feel empty to the other person and we can always move into them to push.

The other person learns that if he is tense and has an aggressive attitude, then his body is really dead.  It is dead to awareness.  It is locked.  The attitude of balance always leads to maximum awareness.  The attitude of maximum aggressiveness leads to a deadening of awareness.

In this way we learn about the mechanisms behind our behavior.  We learn about balance of aggression and passivity.  We learn what deadens our consciousness and what enhances it.  We learn that the relationships with other people or with how we deal with situations, mirror the relationships among the different parts of ourselves.  If our minds are aggressive towards our bodies, we will probably be aggressive to other people.

If we think of our bodies as lowly, we will probably think of other people as less worthy than ourselves. 

Spirituality is about relationships.  It is the recognition that all life is connected and you are not more part of life than another person, another animal or plant.  Tai-chi allows you to feel that.  It speaks of the experience of “chi” (internal energy or biological energy) that connects all life. 

Some of the practices of chi cultivation require that you move your chi around in various ways, which are supposedly better than the way it is moving now.  My teachers taught me that the secret of chi cultivation is quite different and it is an important lesson in spirituality.

The body, they say, knows how to move chi.  All you can do is to interfere with chi.  By making you practice moving chi along certain pathways, you remain within an aggressive frame of reference with regards to the body.  You are whipping it into shape.

My teachers taught very differently.  Through the Zookinesis and Tai-chi exercises they taught me how my frame of reference interfered with accomplishing the task.  If I tensed up to push them I was just locking myself up and becoming ineffective.  Yet to me, pushing meant tensing the body as much as you can.  They taught me to send a pulse of energy through the body from the feet up, like a whip which remains loose as it strikes.  That required a completely different frame of reference. 

The typical student who learns this method will start with a pulse at the feet and then when the thought comes into his mind, “Push Now!” he tenses up, blocking the pulse and deadening his body.  Instead he has to release the pulse into the other person, not push his tension into the other person.  He should really say “Release Now!” and relax. 

This is the same approach in learning a Tai-chi form.  It takes a long time to really learn the movements but at some point you must release the form to the body and let the body do the form.  Your usual sense of self just sits back and watches.  You don’t eliminate the sense of self.  That sense of self becomes the audience that can appreciate the creativity of the body.

Gradually the body, mind, emotions and all other parts of yourself become equal partners in your life.  There are no bullies within you.  Then chi flows naturally all by itself and “you” sit back in wonder.  You understand your connection to the rest of life.  You understand how all the parts of your body communicate with each other so that your actions in life become effortless and effective.

When you encounter a situation your first thought is of balance – active balance.  All parts of you are alert but relaxed.  You see the situation and the people in that situation clearly.  Just as you can now see inside yourself you can see inside them.  You understand something of their internal relationship which is reflected externally and you know how to use the principles of Tai-chi to your advantage, without taking advantage of them. 

While Tai-chi is not a religion, there is a morality – the morality of balance.  There is an empathy of understanding for the torture many people live with because you yourself extricated yourself from that internal torture.  In this way, you see that there is a spiritual path in life. 

It is not the path of maximum power of one part of you over another or of one person over another.  It is not about thinking this as opposed to that.  It is the path of discovering, understanding and then releasing useless behaviors and allowing the body, mind and emotions to function naturally and in harmony with each other and with the community of life.

The key is to let go.  If your attention is now mainly caught up in your thoughts and emotions, let your attention move into the body as water moves into a dry paper towel.  If you feel your attention ready to combat another person, first let it flow into that person and learn how that feels.  You may think that if you connect with another person in this way you are being too “new agey”.  People say, “We must be tough to live in this world.”

Remember that Tai-chi is also a martial art.  The full name is Tai-chi-Chuan (The Grand Ultimate Martial Art).  One of the most important parts of the skills of Tai-chi fighting is for your attention to remain connected to the “opponent” and to flow with him.  Flow away from his strikes and into his open areas.  If your attention disconnects from his body you are in trouble.

When your chi and your attention are connected to the situations and people around you and you remain relaxed, you are in a powerful position.  You know how to respond at each moment.  Spiritual doesn’t mean weak.

Chi is the biological communications system of all life.  When you become aware of that system you have acquired a new sense.  You can understand the mechanisms behind your behavior and the behavior of others.  At that point it is easy to let go of useless behavior patterns because you just get bored by them. 

The spiritual path of Tai-chi eliminates self destructive and ineffective behaviors as light eliminates darkness.  You don’t beat yourself up about your problems or force yourself to change.  You just see how silly the ineffective behaviors are and you can laugh at them.  There is a lot of laughter along this path.

IMMORTALITY

Your body does not need to degenerate as you get older.  In fact, it can continue to get stronger, more flexible and more agile throughout life. The exercise systems of Tai-chi and Zookinesis explain how to keep the body young and avoid aging altogether.

According to Chinese medicine, all the cells and organs of the body communicate with each other through a system of biological energy called, “chi”.  They know how to regulate their activities according to the activities of the other cells and organs.  This system of chi is not isolated within the body alone, but is connected to this same energy that serves as the basis of life throughout the earth.  In this way each cell and organ is aware of the environmental conditions in the area and can adjust its activities according to changes in weather and time of year.  In this way the body can stay in the optimum internal condition for health. 

The loss of flexibility is another factor associated with aging.  Connective tissue (fascia) surrounds each organ, bone, muscle and the body cavities.  It provides an interconnected, flexible web that allows the body to act in a rubbery manner.  Its looseness, for example, allows the rib cage to expand when you breathe in.  If the connective tissue were to lose its elasticity your breathing would become shallow.  This would result in a poorer exchange of carbon dioxide and oxygen and the cells would be oxygen deprived.

Tighter connective tissue interferes with joint mobility so that your movements become stiff.  The proper flow of blood and lymph requires movement of the body.  When the body can’t move properly, the blood and lymph cannot do as good a job at getting rid of body wastes such as lactic acid and carbon dioxide.  The body remains constantly filled with waste.

Aging is also the gradual dissociation of the mind and body.  As children we relish in movement and using energy.  As we get older we move less and think more.  Our thinking is not connected with movement (as described in previous articles) and so becomes a world within itself.  Gradually we “live” more and more in our thinking and not in our bodies. 

The thinking mind becomes the center of the flow of energy and the body is deprived of energy, creating an unbalanced situation.  According to Chinese medicine, both an excess and a depletion of energy is harmful.  Too much chi burns the mind out.  Too little chi allows the body to deteriorate. 

Yet if we live in our minds we have no sense of perspective about the balance of energy.  Most people cannot even feel chi let alone know how to balance this energy.  This is why Zookinesis explains that consciousness itself is another type of energy, which also has dynamics and qualities and which needs to be balanced as well.  Only by becoming aware of the dynamics of consciousness (or what I call the “dynamics of attention”) can we ever hope to affect the balance of chi.

Consciousness (attention) is what makes us aware.  The unique perspective of Zookinesis is that consciousness is not isolated within the body.  It is a universal energy, much like gravity that pervades all things.  As it flows through each of us, this energy takes on its unique flavor.  The physical stiffness of the body tends to distort the flow of attention and created the imbalance of attention.  The exercises reveal this relationship between the tightness of the body and the imbalance of attention so that it becomes obvious. 

We can then notice how, with each relaxation of the body, the attention becomes more balanced and more connected to the body.

The result is a complete integration, not only of your attention with your body, but of your attention with the greater flow of consciousness of the world around you.  You feel less isolated.  You also feel less vulnerable because you now can see this interconnection and can understand how to strengthen yourself and prevent the deterioration of your mind and body.

You can also understand how these factors of deterioration affect other people and cause their behavior patterns.  This allows you to be more empathetic to them.  A student recently asked me how I can stand to live in this world when I see the destructive behaviors of other people.  When you see things from a healer’s perspective, all the anomalies you see are an education.  They are not aggravating but are just interesting and educational. Yet, I do feel sad, knowing that healing is so easily available yet so many people will live their lives in misery.

In both Tai-chi and Zookinesis, it is essential to understand and to feel how the connection of your consciousness to the general flow of consciousness around you is essential to prevent aging.  It is so easy to see the bad things of the world and to withdraw, not wanting to be connected to this world.  You then feel as if it’s you against the world.

The clear flow of consciousness and chi through your body is essential to prevent aging and to keep healthy.  The exercise of Push Hands allows you to practice extending your energies into another person and to allow theirs in.  It is set up as a battle, each trying to push the other over, so that it duplicates what you perceive as your life situation.  You are battling against the world.  Yet you learn in Push Hands, to connect the flow of force of the opponent (or partner) into the flow of forces within you so as to end the feeling of battle.  If you stiffen up against him, he will easily push you over.  If you absorb his force, combine it with your own and flow back towards him, you become more effective.

You learn that by ending the feeling of battle you become effective.  Your strength lies in allowing yourself to connect with the rest of the world.  You can then enjoy life.

The world will still be the same crazy place it was but you can see the mechanisms behind the behavior of people and cultures and not get trapped in them.  Instead of identifying with a particular world culture you identify with the long line of people throughout history who were aware of these mechanisms.  They were able to free themselves from the destructive habit patterns of the people around them. 

Imagine yourself in a smelly, mucky swamp.  You curse having to walk through this mess and concentrate on the smell and the muck.  Soon you discover beautiful birds and insects.  You feel the warm breeze and smell some flowers.  Your attention is gradually drawn to the beauty of the swamp until even the smell and the muck seem an integral part of that beauty.  You then enjoy being part of this scene.

In the same way, the world we live in is, to a large extent, the result of what we pay attention to.  The news on television calls your attention mostly to the negative and horrifying part of our society.  Yet the Public Broadcasting programs call your attention to the beauty.  How do you feel after watching the news?  How do you feel after watching  nature programs?  What factors in our society direct your attention to its horror? 

The question of aging really is about your power to remain young and healthy.  Having control over what you pay attention to is vital to prevent aging.  This does not mean that you become oblivious to the problems of our world but that those problems don’t destroy you.  You must regain control over the dynamics of your attention and the balance of energy.  This is where you start in Tai-chi and Zookinesis.

I know that in modern times Tai-chi has become just memorizing a series of movements and Push Hands has just become a shoving contest.  This is true even in China itself.  But the movements and the pushing are just the surface level of a very deep and beautiful teaching.  The teaching of “immortality”, as it used to be called, is about how to stay young and healthy and thereby actually extend your lifespan. It teaches you how to become connected to the world around you so that your consciousness may remain connected to the world even after your body dies.

Don’t give in to the images of aging.  Don’t let those images implant themselves within you and direct your consciousness.  Instead look to the agility, strength and beauty of wild animals and of athletes and allow those images to direct your consciousness. 

I teach seated Zookinesis exercises to a local senior community.  When I began six years ago, they could barely move.  Now we are beginning to do seated acrobatic movements.  Each time I show them what exercise we are working towards, they laugh, feeling they could never do that.  Yet a month or two later, they easily do the exercise.  Most of them are over 90 years old.  I think Zookinesis has given them a new perspective of what they are capable of.  They are now headed in a positive direction – stronger, more flexible, more relaxed and more connected to their bodies.  When you live your life in this positive direction, you are already immortal.

DEATH

The issue of death can lead us to a more powerful way to live our lives.  We know what happens to our bodies at death.  What happens to our consciousness (or what I call, “attention”)?  We fear death as if it were not already part of us.  Yet the death of the awareness of our bodies, of the consciousness of each cell and organ, is death we carry with us.  The death of our direct awareness to our connection to nature already places us in our graves. 

We are like travelers towards the destination of death, carrying our death with us.  In this way we bring death to death.  Rather, bring life to life. 

Strengthen the consciousness of each cell, organ, muscle and bone.  Strengthen the connection of that consciousness to the consciousness of the earth herself.  Bring life to life and you will be powerful.  When you increase the body consciousness (“Body-Mind”), you travel towards life. 

We all know how to “thread consciousness” through the eyes of a baby.  We talk to the baby and make facial expressions.  The baby’s consciousness jumps towards you.  It is like threading a needle and pulling the thread through the eye of the needle.  We can do this within our own bodies as well.

When you hear beautiful music, the music threads your consciousness through your body into the world of sound.  When you fall in love you thread consciousness through each other.  We are weavers of consciousness.  When others think we die, we know that we have weaved the last of ourselves into the web of life and have become that web. 

The issue of life is not the length of life or our wealth but the beauty of the tapestry we weave ourselves into.

LIFE AS GRAPPLING

The way the martial art of Tai-chi approaches grappling is very applicable to daily life.  The pressures we face on a psychological, emotional and spiritual level are the way life grapples with us.  When common sense is applied to grappling we can easily deal with the strongest opponent.  Rather than fight back against the pressures we examine the nature of those pressures and neutralize them. 

In one technique we can imagine the pressure as a line drawn through the body.  The line starts at the opponent’s hand or arm, where he is applying the pressure and then continues in the direction of the pressure.  Each of his hands or arms is exerting a pressure and each has a line.  You imagine where those two lines will meet within your body and then relax that point.  You only need to relax about one inch of muscle. 

When the point at which the pressures meet relaxes, the opponent’s force is neutralized.  The skill is to relax just that exact point and to not relax more than about an inch of muscular area.  Once the opponent is neutralized, you can do what you want with him.

The meeting point of the pressures shows you how you resist the force of the opponent with your own tension.  You are then more easily able to let go of the resistance.  The opponent depends on your resistance to control you. 

Yet the remaining muscles of the body maintain their firmness to keep the body’s structure intact.  You do not simply collapse your body but strategically relax only the meeting point of the lines.

In our everyday lives we are faced with many pressures – financial, emotional, etc. The meeting point of those pressures show how we fight against the pressure.  If we imagine ourselves as victims in a world battling against us we will wear ourselves out.  We can just as easily ask ourselves, “What is this pressure telling me?  Why am I battling against the pressure?” 

I have found that the reason most people feel pressured in life is that they are unwilling to change as they go through life.  Perhaps they feel they are entitled to a certain high standard of life and resent having to control their spending.  “The other guy can buy these things so why shouldn’t I be entitled to do the same?”

Perhaps you demand certain patterns of behavior from other people.  After all, you are entitled to be treated in the manner to which you would like to become accustomed.   You want the world to conform to your expectations and it usually doesn’t. 

The Tai-chi solution is to make changes from the inside out.  Gain control over your lifestyle before trying to gain control over the rest of the world.  If you can improve your health and your knowledge, your relationship to the world will change.  If you become more aware of your body and end the isolation of the mind and body characteristic of our culture, you will become more powerful.  If you understand how the advertising industry affects your emotions and how other institutions of our society try to control your behavior, you will be freed from their pressures. 

When you notice your frustration, your anger, your sadness, you can then more easily see how these pressures control how you feel about yourself.  Anyone basing their feeling of self worth on the pressures of others who want to control them, is “building their house on sand” which we actually do here on Long Island.  That’s why the wealthy homes on Dune Road get washed into the sea every few years.  When those homeowners expect the taxpayer to rebuild their homes for them or to re-build Dune Road, they are not following the principles of Tai-chi.

There was a time when cultures were based on the warmth, closeness and sharing of small communities.   The world most of us live in seems cold and isolated.  We do seem like victims thrown into a world foreign to our basic natures. 

We could turn cold and accept that the rest of our lives will be a miserable battle.  Or we could build a small community of people – friends and family – and create the kind of culture we would like to live in.  We can do this by starting with ourselves and imagining our own selves as a community.  There is the emotional part of us, the mind, the body and all its individual parts, the will, the internal energy, our memories, our habits and other parts.  Each of these is energized and actively participates in our every action. 

Ancient cultures provided a teaching called “The Elements” which helped people to develop a harmony among all these parts.  We don’t have this teaching in our modern world.  By participating in training such as Tai-chi, Zookinesis and Yoga, which are based on the teaching of the elements, we can create this harmony within ourselves.  That can serve as the basis of a more harmonious attitude and pattern of behavior in our circle of friends and family. 

Whenever you feel a “point of pressure”, use that as an opportunity to shift and adjust something in your life so as to make that pressure irrelevant. 

Before we are about to attempt anything, the attention assesses the body, mind, will – all the “elements” – to see if you are prepared to accomplish the mission.  If your attention feels that you are not ready, it will cause you to hesitate or stop trying.  By building your inner strength you feel more prepared and are more willing to try new things.  You no longer consider a new challenge with fear.  Your attention assesses your elements and finds them strong and ready.  This creates an entirely new attitude which leads to success.

Even though we may be dealing with a mental or emotional challenge, the attention assesses the body’s physical condition to determine if you are ready to deal with the challenge. Is each part of our body flexible and strong and is it filled with our awareness?  Our intellectual way of interacting with each other in modern society is a more modern form of behavior.  Our biology still works on a physical “flight or fight response” mode.  So in order to feel confident to tackle a modern type of interaction, we still instinctually assess our physical readiness. 

When we are grappling, we also need to assess the partner’s readiness.  We need to use our attention to assess his body. His grappling behaviors will come from his own sense of physical readiness.  We need to be more aware of his readiness than he is of his own.  This is the skill that push hands provides to us. 

We can also block the ability of his attention to assess the readiness of his body.  This can easily be done by constantly shifting the meeting point of your two lines of force on his body.  His attention may be able to assess if he is ready to deal with any particular pattern of pressure but if that pattern shifts slightly and regularly, his attention will be worn out quickly.  You don’t want to shift it enough to throw your own body off – the smaller the shifts the better.  As you practice this you will begin to vividly feel how his attention panics and his body tenses when you shift the pressure and how his attention tries to re-assess the situation.  The grappling game is then played on the basis of attacking his attention rather than his body.

Another important principle in grappling is “Let Yang be Yang and Yin be Yin”.  This is an expression from Zookinesis training.  It means that the Yang energy, which is expansive and energizing, should be allowed to fully express itself.  The Yin energy, which is grounding, should be allowed to fully express itself.  Imagine walking a dog on a leash.  The dog pulls you forward and you tug back on the leash to control the dog.  If you let the leash go, the dog would run as fast as he could and feel very free and happy.  You would be able to relax.  Letting go of the leash is “letting Yang be Yang”.  Relaxing is “letting Yin be Yin”. 

Don’t pit yin against yang as when you are holding the dog back.  If you do that throughout your life, one day your Yang energy will give out and your Yin energy will implode within you causing death.  Rather, allow each energy its full expression and in that, seek balance.

Grappling is different than the dog on the leash situation because the grappler’s force presses inward.  In this case, seek balance by your yang force filling the yin areas of the opponent’s body.  This balance evens out the opponent’s superior physical strength.

Allow your Yin force to be grounded by his physical force, bringing him into your foundation.  This is “letting Yin be Yin”.  Allow your response to originate in your foundation to destabilize his alignment. 

His Yang energy is now in your foundation so you can upset his whole body from there.  Let him feel the pressure of the volcano in your foundation as Yang energy builds, and the endless depth and power of the magma about to erupt.  His force will be burned with only scattered cinders remaining and you will be in control.  Then allow your Yang energy to be Yang.  It will erupt by itself.  You don’t need to force it.

The mistake many grapplers make is to turn Yang energy into tension.  In this case your Yang energy jumps within your own body, hardening it.  Rather, allow your Yang energy only to jump within the opponent’s body, leaving your body as relaxed as possible while still maintaining its structure.  You will need very little physical movement.

Remember also that expanding Yang requires an in-breath into the lower part of the lungs.  You should not breathe out or bring the breath upward when Yang leaps out. 

All of this requires a great deal of training of course.  But the result is that when you are faced with everyday life you respond the way you are trained.  You don’t get rattled.  You simply assess your own balance of energy, the other person’s balance and make the most advantageous response which is usually the simplest.  You let the other person fill their bodies, minds and emotions with Yang energy while you remain balanced.  And you don’t wear yourself out by pitting Yin against Yang.  This keeps you young and energized.

THE PUSH HANDS PARTY

During our “Push Hands” party this Saturday, many issues came up.  A new student wondered about the “magic” of the use of chi (internal energy).  Several asked why we breathe in when we strike in the martial aspect of Tai-chi while other martial arts styles breathe out when they strike.  This brought to mind what my chi-gung teachers taught me when I mentioned that some chi-gung teachers teach you to move the chi in the “microcosmic” and “macrocosmic” orbit in the body. 

They asked me if I thought I was God.  They explained that the body itself knows how to channel the chi properly and the only thing I could do was mess up that flow.  They said that what they were teaching me was to stop messing up the flow of chi and then the chi would flow just fine.  They explained their view that in the West we love to push and shove things around to fix them.  This was true of even Chinese teachers in modern times. 

But what good does it do to shove your chi in what you are told is the “correct” movement when you are still filled with habits of pushing chi around in improper ways.  You would just be creating a conflict between your different habits of shoving, some supposedly good and some bad.  Just stop shoving the chi around, they suggested.

The student who wondered about the “magic” of chi wanted to be able to knock someone down at a distance by holding up his hand.  There are several ways to approach this issue.  The main point is, why do you want to be able to knock someone down?  What are the inadequacies in yourself that cause you to want to be able to knock other people down? 

The second point is that these teachings require very detailed, long term study.  The mechanics of chi are very exacting and specific.  The relationship between chi and the physical body takes years of study and practice to understand, feel and master. 

When the term “magic” is used, it generally means, “How can I do this without any effort on my part?”  It is a sign of laziness.  You just want to be able to use a magic word, for example, and not put in the years of study. So a real student would need to examine his tendency toward laziness.  Magic is only magic when you don’t understand the mechanisms behind the result.

I met a couple of teachers who claimed that they could knock someone over at a distance.  They even demonstrated it on their own students.  But onlookers insisted that he do the same with them.  The teachers did not want to demonstrate their skills on anyone but their own students.  After much insistence these teachers did try to demonstrate this “chi at a distance” on others but failed. 

The point is that this chi at a distance is a training exercise.  The student must be very sensitive to the teacher’s chi.  When the student feels this chi, he allows his body to move according to the characteristics of the chi he feels.  The chi doesn’t knock him over but the student cooperates via his reaction to the chi.

There is great magic in chi training.  It is NOT the magic of seeing great things and not knowing how they happened.  It is the magic of being able to see simple things and KNOW how they happened. 

When an experienced teacher practices his form the onlooker will see the slightest movements with barely any effort.  A beginner at learning a tai-chi form will use exaggerated movements and seem to use a lot of effort and tension.  Most onlookers will think the beginner’s tai-chi is spectacular because it is big and “loud”.  The experienced teacher barely looks as though he is doing anything and is not very exciting. 

Magic in this case would consist of being able to see the incredible control of internal movement (within the body) resulting in such slight external movement (movement of the body in space) of the experienced teacher.  Magic is the ability to see the great in the insignificant.  It is the ability to let go of all the habits of tension, mental patterns and chi blockage to arrive at the simple, natural state of being. Magic, in the real sense, should not be a compensation for feelings of inadequacy that appeal to your laziness. 

Another discussion later in the day centered around this question:  Should you lead the student on by promising great magic (in the sense that the student understands it) in the hope that he will eventually get and appreciate the real training?  There was a story told by the Buddha.  A man came home to find his house burning with his three little girls inside.  He called out to them, “Come here at once.  I have wonderful presents for you.”  When they came out they were upset that there were no presents.  But the father just wanted to save his children.

For my part, I cannot play games like that.  I have to tell the students the bare truth.  My feeling is, “What a tangled web we weave when first we practice to deceive.”  The result is that I have few students but they are wonderful students.  It may take them a long time to “get” things but they understand that I am not playing games with them.  I don’t give them any room to hide in fantasies.  There is nothing wrong with fantasies but I prefer to leave that to Hollywood. 

Another point that was brought up dealt with acupuncture points.  I was taught that every point on and within the body is an acupuncture point.  Every cell and even every part of every cell is a center for the transformation of energy.  The acupuncture points that you see on the charts are just useful points for healing purposes.  If you work a specific point it will have a specific result.  But this doesn’t mean that only those spots marked on the charts are acupuncture points. 

I believe that in any good Oriental healing school this point is brought out.  But the students often fail to appreciate or even to hear it.  Many such students think that chi only runs through the meridians and not everywhere throughout the whole body.  My teachers emphasized that chi must flow through every organ and cell of the body. 

I showed a chart I had made to bring out what I felt was an essential point to understand the principles of tai-chi and of chi-gung.  If you truly understand the chart, a lot of the tai-chi principles will make more sense.

The chart basically explained that there are two substances in the world and two forces (according to these principles).  The two substances are matter and consciousness.  These substances are part of everything in the universe.  This means that consciousness flows through all matter and is not just a by-product of chemical reactions of the human brain.

Consciousness expresses itself differently depending on what it is flowing through.  Yet the consciousness within a plant is the same “stuff” as our own.

The two forces in the universe are the yin force, pulling towards the center (gravity) and the yang force, flowing outward from the center.   Both forces work on both substances.  When we speak of the yang force in terms of matter, we use the term, “chi”.  When we speak of the yang force in terms of consciousness, we use the term, “creativity”. 

In its most fundamental state, matter and consciousness are one and the same.  But the two forces “play” at creating an apparent separation between the two (the yang force separates matter and consciousness).  The variation of influence of the yin and yang forces on the two substances at any particular moment is one meaning of the yin/yang symbol.

This is the same as an artist who steps away from his canvas to get a better overall view of his painting.  When matter and consciousness appear to be separate, we have a stronger feeling of self or individuality.  When they merge, when the force of gravity takes over, the two blend together.  Your consciousness (which I call attention) and the world around you merge and you loose track of time and even of yourself. 

When you relax, the force of gravity allows your body to sink to its center (the tan-tien).  Since the earth is so large and exerts such a large gravitational force, our center then sinks to the center of the earth.  This is called, “sung”.  It is translated as “sinking” but more specifically it is the sinking of every point in the body into its center (tan-tien) and also the sinking of the center of the body to the center of the earth.   It is yielding to the gravity of both the body itself and of the earth. 

In this way when you yield to gravity you seem to merge, not only with the earth but with your body and with all the natural surroundings.  I learned these principles while learning Zookinesis and that made learning tai-chi much easier to understand.

So now let’s get to the issue of breathing in and out.  When you breathe in, this corresponds to drawing energy upward from the earth and expanding.  Breathing in is yang and expansive.  Breathing out corresponds to yielding to gravity and sinking into the earth.  When you expand, energy flows outward which results in the punch or kick or push.  When you sink you absorb the opponent’s force and ground it or circle it around back to him. 

At the moment of impact your fist “feels” the alignment of the opponent’s body.  This creates a trained effect in your body to line up all your joints in such a way that the upward, expansive force is directly aimed at the opponent and the opponent’s resistance is absorbed by your body.  This re-alignment of the joints takes just a fraction of a second and takes a lot of training to accomplish.  But it allows us to use the ground as our “floor”, to expand upward from the ground. 

In hard style martial arts, their own body tension is used as the ground from which the punch issues.  So their body tension fights against the strike and only a fraction of their potential force is released.  The only tension used in tai-chi fighting is in our movements and just enough so that the arm (or leg or elbow etc.) doesn’t collapse when we strike.  We want an exponential explosion of force shooting into the opponent.  This can only be done when the body is as relaxed as possible.  Hard styles breathe out and then hold their breath when they strike to achieve the maximum tension of the body.  That’s why they’re called “hard styles”.

These are the types of issues we go over at the push hands parties at the Long Island School of Tai-chi-Chuan.  We show how Taoist principles apply to our Tai-chi practice.

THE RELATIONSHIP OF ATTENTION, CREATIVITY AND THE PHYSICAL BODY

We understand that play is a natural behavior of many animals.  Puppies and kittens understand that they aren’t really trying to kill each other.  They understand make-believe.  They also understand reality as when a large animal runs after them, growling loudly.  Play is not to be taken literally but is good practice for reality.

Play teaches you to perceive clearly and for your body to react quickly.  It develops a lively connection of attention to the body.

Our civilization uses this understanding to trick us.  It uses play, not to develop a connection of attention to the actions of the body, but to words.  As we become more and more lethargic, ideas replace the body as the arena of action.  We live in the world of ideas.  This changes the role of the body, and by extension, the whole physical world in our creative process.  Lately the new close relationship between our play, or creativity, and words, our thinking process, has changed.  The role of the body and then words is being replaced by machinery.  When you watch children play video games, to what is their attention connected?  It is hardly connected to the body or even to ideas.  It is connected to computer screen images.

This slow progression heads in one direction – to disconnect attention from the body and the physical world and to connect it to factors than can be manipulated by other people. It is hard to manipulate someone’s body.  It is easier to manipulate their ideas.  But if their attention is connected to machinery, you can control the programming even more easily.

The advertiser’s job is to move people’s attention in the direction of more manipulation.  The teacher’s job is to move the attention back to ideas and to the physical world. 

When you manipulate symbols – a national flag for example – you are trying to control peoples’ behavior.  In most cases this manipulation is not for the benefit of that person.  It is for the benefit of the manipulator. 

There are many human histories.  There is the history of wars and politics.  There is the history of the condition of the average person.  There are labor and social movements.  Histories of religion, philosophy, arts and science fill university curriculums.  But really, they are all the history of the attempted manipulation of attention to control behavior. 

It is the history of storytelling – the story of who we are, where we came from and why we are here.  If we feel we belong to one group that is opposed to another group, we have conflict. People can be made to fight other people because of the story of who they are and where they came from. 

Zookinesis teaches us how our attention becomes controlled by the stories we are told.  It teaches us to understand the dynamics of attention itself so that we can notice when and how it is being controlled and regain that control.

In order to do this it is important to understand what attention is and its relationship to the body and the physical world in general.

Zookinesis considers that what makes each person an individual is the way our creativity “plays” with the energy of attention.  It is similar to the way we “play” with the energy of gravity in the way we move.  Attention is the consciousness behind the eyes and ears.  It is that which is aware of thoughts and emotions. 

There are two forces controlling attention.  One is the various distractions that we encounter every day.  They mold our attention into their shape.  The other force is creativity which is the playfulness that makes each of us unique and is part of our biological heritage.  Any individual may be more influenced by the distractions or more by creativity. 

People with OCD (obsessive, compulsive disorder) are almost completely controlled by their environment.  They are drawn to the strongest distraction at each moment.  People who are completely controlled by their creativity we may call “airheads”.  They are hardly connected to the world around them but only to their ideas and fantasies. 

The job of a parent or teacher is to balance these two forces in the child or student.  The point of balance between these two forces is called “the gate” in Zookinesis.  The goal of the training is to become “the gatekeeper”, that is, to be fully aware of and control the balance of environmental influences and playful creativity on the flow of attention.

The role of a teaching, such as Zookinesis or Tai-chi, is to provide the student with the skills to maintain that balance.  To what degree do you allow yourself to be molded by the influences around you and to what degree do you step outside of those influences and “create your own story”?

At the advanced level of any teaching, the student begins to perceive “who” it is that is learning, controlling this balance and creating the story.  Religious people would call this “union with God”, meaning that you perceive the source of your own creativity.  You understand your uniqueness and yet your complete connection to all other people and forms of life. 

You cannot do this by handing over your attention to any particular dogma, whether a philosophy, religion or any teaching.  You can use these vehicles to develop the balance of external influences and creative influences on your attention, but you do not allow them to fully mold your perspective.  There are many vehicles on the road but in the end you need to step out of the vehicle and get to your destination.

Ancient religions and other teaching were based on “the elements”.  This was an early form of psychology.  You became aware of the influences of your body, your thinking mind, your will and your emotions and the balance of these factors in each moment of your life.  Your goal was to keep the “elements” in balance. 

The result was that you became aware of the fifth element – “spirit”.  Spirit was the force that connected all life together, or what we would call “chi” in Taoist philosophy.  When you achieved the balance of the first four elements it would be as if you were standing in the middle of a spiral staircase and could look all the way up and down the stairs. Spirit is all the activity that you see going on.  Each level is a level of life or consciousness.  Your next goal in these teachings, was to explore all the floors.  The final step of training was to be aware of all the levels of consciousness at the same time so that you are a fully conscious being. 

This is the basis of Zookinesis training.  You first become aware of the dynamics of your physical body.  In order to do this you have to allow your attention to connect to all parts of your body.  This requires working on the flow of attention and letting go of any blockage to that attention.  You gradually become aware of that part of you that directs the flow of attention (creativity). 

Now when you practice the exercises, you are not just shoving your body parts around.  You are lightly manipulating the flow of attention in your body and that, in turn, affects the movements.  Your efforts and movements become lighter and lighter and yet more effective and powerful. 

Through physical exercises, Zookinesis achieves a “spiritual” end, that of true self awareness.  You can then examine the “play” of your life to determine in which ways that play is positive or negative.  You can create a different play or story for yourself, one which is more healing for you and for others.

It all starts with realizing that consciousness itself is a force that connects you to the rest of nature.  It flows through your physical body and animates it. Chi is the biological activity that results.  Creativity is the way we play and is a natural behavior of many species.  We humans “play” with our attention and create stories.  We then build our civilizations on the foundation of those stories.

The physical and mental structures we build seem so solid and everlasting that we forget the “play” behind them.  When play, or creativity is no longer a part of each “element” of our lives, then we become deadened and our physical, mental and emotional health suffer.  Our “will” gets out of balance and we get angry when we don’t get our way. 

That is why I like public broadcasting programs so much.  They explain how creative people and cultures changed their world and their ideas.  They show how our own present situation is the result of this flow of the history of creativity.  Then we can take our part in that history and ask ourselves how we can become more creative.  We realize that rather than being just a member of a race, religion or nationality, we are a member of the creative force of life.